This is the third part of the book framing comments, noted as Imaginary Heroes in the table of contents in the March posting. I may have been too harsh to call that other book attempt unpublishable, except that it had little original thought and was an application of Jungian archetype theory to science fiction and superheroes. I will review it and consider parsing it up for this blog.
Sunday, May 3, 2015
Saturday, May 2, 2015
From
1981, we must jump to 1992 when I wrote a properly unpublished book titled Imaginary
Heroes in the Age of Science: Archetypes in Popular Culture. There was one
good idea in it worthy of publication, which was developed into this
collection’s first paper, ‘Mythic Spacetime.’ Once the framework developed in
1992, it took five years of idle contemplation before that set theory insight
resulted one night. I now reproduce the few paragraphs, from the 1992 book,
which were my first thoughts on and coining of the term mythic spacetime.
In
standard myths, where does a hero commit violence? In the land of adventure,
the fantastic other realm outside of normal society. This is part of the
constructive social meaning of archetypal models, which modern society tries to
erase in its rational models of law and order, but which persists as part of
human nature: there is a proper place for violence. In ancient times, it was on
the hunt. In modern comics, it’s on the hunt for criminals or super villains.
The mythic land is the place where violence is the correct thing to do, and
anywhere a superhero is on the job becomes a mythic land for the duration of
the fight. This fits in with why most of reality seems to ignore superheroes in
the comic book stories.
It
also fits with the history and prehistory of real humanity. The hunting
mentality can be thought of as a kind of ‘mythic time’ when men access the
archetypes of violence. Coming back to the hearth, they would engage in
entertainment to tell of their deeds, thus recalling when they were using their
instinctive skills, i.e. accessing archetypes. The original boon that they
brought back was the game that they killed. Of course, the women had the
superior skill of producing a boon out of childbirth. Either sex has its own
version of bloody violence in the mythic space-time.
The
would-be censors of violence on TV probably give less thought to sports. This
is the usual mode for people to access the mythic space-time, far more popular
than the pop cultures I consider in this book. The socially acceptable
channeling of aggression and violent urges into competitive sports is no doubt
completely satisfying for the participants. For some spectators, it’s not
completely satisfying, and they have to start fights or riot. For other
spectators, it may be the equivalent of reading a comic book, with the added
experience of getting to shout from the stands. Or in the TV room.
The
notion of a separate space for superheroes to slug it out nagged at me, with
its resemblance to Mircea Eliade’s description of making a ritual space. One
night in my caregiver years, sitting on a couch by my sleeping mother, looking
at a TV screen, the notion to represent the characters as set elements
occurred. The consequent idea came that elements were mapping between sets. The
further explication of these ideas is presented in the first three papers, all
published in the Journal of Literary Semantics, thanks to the instant approval
of its founding editor Trevor Eaton.
Friday, April 3, 2015
Continuing with the material as outlined in the table of contents from last month, we arrive next at Singular They, an unpublished paper on the set logic of pronouns used in the English language. As noted in the Introduction: Origins, this kind of thinking was a precursor to mythic algebra three decades later.
Thursday, April 2, 2015
The
following paper from 1981, ‘Set Theory and Some English Pronouns,’ was worked
out after a much longer class paper on the use of singular ‘they,’ done for a
communication course at Arizona State University in Tempe. That course paper
was titled ‘Linguistic Neutralism: Everybody as They,’ and surveyed history and
social use, briefly mentioning set theory implications.
Set Theory and Some English
Pronouns
Abstract
The use of some third person
pronouns corresponds with the mathematical rule for set unions. This leads to
speculations about semantics and the place of mathematics among linguistic
universals.
Descriptive
linguists recognize a nonstandard use of a pronoun called the singular they,
referring to uses of they, them, their, and theirs. An example is the sentence,
‘Somebody gave their donation anonymously.’ A prescriptive rule would have the
sentence as, ‘Somebody gave his donation anonymously.’ for what is sometimes
called the generic he. As for singular they, Ann Bodine (1975) traced its use
through every recorded century of the English language, and showed how it
filled a logical gap in the language, for a singular sex-indefinite pronoun.
Let us further
pursue this logic, and state those principles of use: why do we say they when
we mean either a he or a she? In our minds, we have two possibilities, of
opposite sex. Only one of those possibilities will occur in reality, but that is
irrelevant. The purpose is to communicate thoughts that consider both
possibilities, so we use a plural pronoun. This is analogous to the
mathematical formula for set union: a or b = a U b. Singular they indicates a
union of two sets to compose a new set in which a member taken out of this new
set could be from either of the two sets that combined.
It is as if we had
two different semantic categories. The potential category indicates the basic
complete picture of all elements. In mathematics that is the portrait of the
sets and their union. The actual category is the result of performing some
operation on the sets. In mathematics
that would be taking out one element, but in English grammar that becomes the
use of the singular they. In the potential category, singular they is actually
plural. The potential category is operated upon to become the actual category,
and the proof that something has happened is shown by a plural pronoun becoming
singular. This happens as long as the actual situation provides the context and
not the hypothetical situation, in which case the pronoun would again have a
plural meaning.
Pragmatics are
involved in the use of singular they also. If a speaker had time to emphasize
that either sex was meant, then ‘he or she’ may be spoken or written instead of
they. However, if fast talking were going on, and the speaker didn’t want to
call attention to such details, singular they may be spoken without awareness,
just as a natural feature of the grammar.
As for syntax,
singular they can show up as any kind of noun phrase function: subject, object,
or modifier. Singular they encompasses four words. These words often show up
with other indefinite pronouns, such as some-, any-, no-, or every- ending in
–one or –body. A further example besides the one used at the start of this
paper is the sentence, ‘If anybody shows up, give it to them.’
G.L. Brook (1964,
128) remarks upon the Old English adoption of the pronoun they from Scandinavia
as a rare example of pronoun borrowing between languages. Jespersen (1938, 74)
mentions other indefinite singular pronouns used in the history of the English
language, including a contraction of them to ‘em, which is still in use today.
The utility of they for indefinite singular usage may have contributed to its
permanent establishment in the English language.
Perhaps other
terms can cross over into other languages to fulfill set theoretic needs, or a
language has a built-in flexibility to allow for such combinations among
potential and actual categories. It would certainly be amazing if set theory
principles from mathematics were not universal linguistic concepts. That might
imply that any non-western language could create a different kind of set
theory, and a totally foreign mathematics, to shatter our illusions of
scientific truth. What we had thought was an unending universe of mathematics
would turn out to be only one of many unending universes.
References
Bodine, Ann. ‘Androcentrism in
prescriptive grammar: singular they, sex-indefinite he, and he or she.’ Language
in Society. 1975(4): 129-146.
Brook, G.L. A History of the
English Language. New York: W.W. Norton, 1964.
Jespersen, Otto. Growth and
Structure of the English Language. Garden City, NY: Doubleday, 1938.
Thirty
years later, I can critique this paper as still valid even if the historical
progression in usage is unclear. They was first used in English for uncertain
singular or plural persons, then centuries-worth of prescriptive grammarians
and school teachers have tried to limit it to plural only. Regardless of the
origin of singular they, its modern use in violation of taught grammar shows a
kind of set function where ‘male or female’ is thought of as plural, thus one
selects a single choice from plural possibilities, so the taught label from
plural comes to mind to use. Descriptive grammar is then vindicated by set
theory, no matter which came first in history, single or plural they, or both
together.
This
paper on they shows a first clue of sets and math processes turning up where
they are not supposed to be, outside of mathematical topics. I did not pursue
the matter further. After getting a Bachelor of Arts degree in mathematics, I
got a master’s in library science and then a 13-year career in database
publishing. Personal research and writing took other directions, but the new
math works in mysterious ways.
Monday, March 2, 2015
Sunday, March 1, 2015
Table of Contents
Introduction: Origins
Singular They
Imaginary Heroes
First Trio: Journal of Literary Semantics
Mythic Spacetime
Narrative Algebra
More Features
Comments: Follow-up
Hero Cycle
Second Trio: Semiotica
Mythic Algebra Uses
Numbers
Laws of Association
Epilog: Future Directions
Introduction: Origins
While this book reprints six academic papers and related material, its origins are not in the dry, technical world of academic theory. It started with comic books. Before I went to school, before I learned to read, I ‘read’ comic books at home. Four decades later I was again reading them at home, and developed mythic algebra from them.
Mythic algebra is a hybrid system of various parts of basic mathematics, sets and algebra cobbled together to describe the symbolic processes of the mind. Originally derived from mythology and superhero comic book stories, the system has been aimed to cover all mental activity, incorporating non-mathematical processes like mental association. This led to the idea that mythic algebra is the ur-mathematics out of which true mathematics, and any other language, evolved.
This collection of academic papers is based on a radical assumption, that the mind works on symbolic processes which are the same no matter how expressed. Today’s educators speak of different learning styles, which is no doubt true. Beyond this, everyone assumes that each field of thought, each subject area, involves different ways of thinking. How one does mathematics differs from how one understands the arts, stories, language, or any other mental activity. Yet we have one brain for all of this, and while scientists can identify different areas of higher brain activity depending on type of thought, all areas are said to be interconnected. There are also many different types of connection: chemical, electrical, physiological, organelle, and perhaps electromagnetic broadcast. But if all these are considered the building blocks, what structure do they make?
Notwithstanding the actual variation of brain parts and connections, when they all work together, does it make a single, unified process? Obviously it does, since we are autonomous animals that think and move on our own. While this fact is easily conceded on the level of body motion and physiology, it is rejected at the level of thought. Our personal conflicts, our ambivalent desires, are taken as signs of the competing systems in the triune brain, the reptilian brainstem versus the mammalian midbrain versus the human frontal lobes. Yet the triune brain produces a single person, even if it is only a highly evolved radio box to receive a spirit. Leaving aside spiritual questions, how could any unity of process be recognized? How could this be described in a functional notation system?
Enter ‘the new math,’ that abandoned approach to teaching grade school mathematics in the 1960s. I am a product of that, for I absorbed the emphasis upon sets as a basis of understanding the world. It has colored my thinking, becoming my natural viewpoint upon anything, long before it inserted itself into my way of thinking about comic books and the first published paper here (from 2000), ‘Mythic Spacetime.’ I get ahead of myself, and must retreat to earlier decades, to give an unpublished example of a worldview colored by sets.
Introduction: Origins
Singular They
Imaginary Heroes
First Trio: Journal of Literary Semantics
Mythic Spacetime
Narrative Algebra
More Features
Comments: Follow-up
Hero Cycle
Second Trio: Semiotica
Mythic Algebra Uses
Numbers
Laws of Association
Epilog: Future Directions
Introduction: Origins
While this book reprints six academic papers and related material, its origins are not in the dry, technical world of academic theory. It started with comic books. Before I went to school, before I learned to read, I ‘read’ comic books at home. Four decades later I was again reading them at home, and developed mythic algebra from them.
Mythic algebra is a hybrid system of various parts of basic mathematics, sets and algebra cobbled together to describe the symbolic processes of the mind. Originally derived from mythology and superhero comic book stories, the system has been aimed to cover all mental activity, incorporating non-mathematical processes like mental association. This led to the idea that mythic algebra is the ur-mathematics out of which true mathematics, and any other language, evolved.
This collection of academic papers is based on a radical assumption, that the mind works on symbolic processes which are the same no matter how expressed. Today’s educators speak of different learning styles, which is no doubt true. Beyond this, everyone assumes that each field of thought, each subject area, involves different ways of thinking. How one does mathematics differs from how one understands the arts, stories, language, or any other mental activity. Yet we have one brain for all of this, and while scientists can identify different areas of higher brain activity depending on type of thought, all areas are said to be interconnected. There are also many different types of connection: chemical, electrical, physiological, organelle, and perhaps electromagnetic broadcast. But if all these are considered the building blocks, what structure do they make?
Notwithstanding the actual variation of brain parts and connections, when they all work together, does it make a single, unified process? Obviously it does, since we are autonomous animals that think and move on our own. While this fact is easily conceded on the level of body motion and physiology, it is rejected at the level of thought. Our personal conflicts, our ambivalent desires, are taken as signs of the competing systems in the triune brain, the reptilian brainstem versus the mammalian midbrain versus the human frontal lobes. Yet the triune brain produces a single person, even if it is only a highly evolved radio box to receive a spirit. Leaving aside spiritual questions, how could any unity of process be recognized? How could this be described in a functional notation system?
Enter ‘the new math,’ that abandoned approach to teaching grade school mathematics in the 1960s. I am a product of that, for I absorbed the emphasis upon sets as a basis of understanding the world. It has colored my thinking, becoming my natural viewpoint upon anything, long before it inserted itself into my way of thinking about comic books and the first published paper here (from 2000), ‘Mythic Spacetime.’ I get ahead of myself, and must retreat to earlier decades, to give an unpublished example of a worldview colored by sets.
Tuesday, February 3, 2015
The last of my Semiotica trilogy, and this was also given page one in the journal (Volume 2009, Issue 176:1-14) (Aug 2009). As an example of semiosis, or the creation of signs, the mental construction of a cargo cult is analyzed. The rest of the article analyzes the "laws of association" common to philosophy.
The final publication is available at www.degruyter.com
https://doi.org/10.1515/semi.2009.057
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